Emmy Magazine Features

In heartfelt remarks, winners celebrate their art and call for activism.

Jason Alexander is grateful that viewers are still loving George Costanza — he loves him, too. But now he’s blissfully leading Hit the Road, a new comedy for AT&T Audience Network, where his alter ego, Ken Swallow, “is very optimistic.”

With stories of forthrightness and fortitude, women reclaim their time — and lay claim to Emmy gold.

Lifetime’s deal with women’s pro soccer is about much more than expanding the brand.

A preview of the photo-filled emmy magazine.

With their dad an iconic storyteller and a CBS crew camped out in the family kitchen, could Willie and Libby Geist seriously consider careers outside TV and film? Fortunately, they didn’t. The siblings are following with pride — and success — in the footsteps of their father, Bill.

In a suddenly heated market, more than a dozen virtual pay-TV services are battling for dominance. While analysts question who’ll be cast off the island, some are siding quietly with Hulu Live.

As the new season dawns, these primetime players are already turning heads.

The young Star Trek fan who tried to DIY the bridge of the Enterprise seemed destined to put his stamp on sci-fi. Now, with Fox’s The Orville, Seth MacFarlane — the funny guy behind Family Guy and other hit shows, films and music — blasts off on his own space odyssey.

Kathy Bates knew she’d be a late bloomer, but her current career resurgence is a surprise — even to her.

Ray Romano can still bring the funny, but since striking comedy gold with Everybody Loves Raymond, he's moved on to more serious roles — like the crass con man in the new Epix series Get Shorty.

For Elisabeth Moss, turning the “really big, story-oriented” imagination of her childhood into a thriving acting-producing career was not such a stretch.