Emmy Magazine Features

Whether they yearn to be the next Shonda Rhimes or just revel in Hollywood history, writers find their way to this unique Los Angeles library.

On the heels of eight seasons on Castle — and his too-short, but beloved, time on Firefly — Nathan Fillion arrives in another starring role. As a mid-life police recruit, he leads the new ABC drama The Rookie.

At KCET, spirits are high as the nation’s largest independent public station reunites with its PBS family — and reinforces its commitment to community, diversity and innovation.

The final Sharknado takes a surreal spin through the Middle Ages, among other absurdities.

In the late ‘60s — when sit-ins and love-ins were common forms of political and social expression — along came Laugh-In, making NBC the place to be on Monday nights. On the 50th anniversary of its debut, emmy takes a fond look back (through wire-framed hippie glasses, of course).

NBC’s Robert Greenblatt thrives on building — shows, audiences, networks and human connections via the arts.

Singing great Nat King Cole confronted racism throughout his career, but he left behind an unrivaled musical legacy, including many memorable television appearances.

Late-night talk is thriving, and so is Seth Meyers.  Four years into  his  niche at NBC’s Late Night, Meyers has found his groove, forging laughs — and perhaps catharsis — in partisan times.  

Before Better Things, Pamela Adlon had never run her own show, though she had logged countless hours on the set. Now audiences, critics and colleagues marvel at her creation.

With matchless attention to detail, costume  designer Michael Kaplan and executive producer–director Jakob Verbruggen brought the Gilded Age to life for TNT’s The Alienist.

Lynn Novick mined memories and archives for The Vietnam War, her PBS colossus with Ken Burns.

As Riverdale approaches season three, the cast and principals of the the CW series revel in the success of the Archie Comics reinvention.